Krzysztof Kieślowski
A veces uno debe ser demasiado frío, racional y descriptivo (cualidades ciertamente deseables) pero en muchas ocasiones abstraerse and fully explore what passes only just having fun. When you face a work of art, it is best to reject the rationality and the viewer simply must conform with the beauty that can be distilled as enigmatic object.
I usually act on that perspective every time I see a film by Kieslowski, where I abandon myself to be carefree, to reverie and watch, totally enthralled, the best stories told in the story. With it, the film rightly claims its status as art and not only represents a technical activity, as many others. And no matter if it's "The Decalogue" or "The Trilogy" (colored) because they and all their work has shown, above all, quality and, secondly, a special seal that makes it easily distinguishable (which is exactly the same as having personality).
's really about film is its best. Every shot, every frame, every image sublime poetry and pretentious dialogues are not needed for the story itself is told. It just takes a unique glimpse of life (from the smallest detail, yet the most representative), the routine carried proportions of divinity and feel necessary to plan an endless variety of feelings through photographs 24 per second. The
film that is stated in the title is a constant in that sense, it would be repetitive to list the many cosmetic and plastic flashes that saturate the hour and a half. Forgive me readers for being a hopeless romantic, but the story is the least important, when you have such dynamic and visual symbolism that deep you can not think of anything else. I recall that only two women is identical with parallel lives.
I usually act on that perspective every time I see a film by Kieslowski, where I abandon myself to be carefree, to reverie and watch, totally enthralled, the best stories told in the story. With it, the film rightly claims its status as art and not only represents a technical activity, as many others. And no matter if it's "The Decalogue" or "The Trilogy" (colored) because they and all their work has shown, above all, quality and, secondly, a special seal that makes it easily distinguishable (which is exactly the same as having personality).
's really about film is its best. Every shot, every frame, every image sublime poetry and pretentious dialogues are not needed for the story itself is told. It just takes a unique glimpse of life (from the smallest detail, yet the most representative), the routine carried proportions of divinity and feel necessary to plan an endless variety of feelings through photographs 24 per second. The
film that is stated in the title is a constant in that sense, it would be repetitive to list the many cosmetic and plastic flashes that saturate the hour and a half. Forgive me readers for being a hopeless romantic, but the story is the least important, when you have such dynamic and visual symbolism that deep you can not think of anything else. I recall that only two women is identical with parallel lives.
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