Two Old Ladies Wearing Girdles

PLAYERS: THE QUARRY Betis 1. THE 60

Jose Maria Mellado Resin, born on March 19, 1948 in the neighborhood of Cerro del Aguila, Sevilla . Youth Club from the Fair Betis, which debuted at age 16, spent two seasons at Real Betis amateur, and for part of the loan to Recreativo de Huelva 66-67, aligned in a league match. He made his debut in the first filial Betis, the Triana football, March 18, 1967 in the match played in Heliopolis to the CD Alcala, in the League Championship Third Division. It remained only three days to finish the league and the Triana, then trained by Pepe Valera won 4 to 0, Mellado getting three goals in that game, lined up in front. Areta

With Stephen on the bench, Mellado dispute the preseason with the Triana Bpie in the Trofeo Ciudad de Hospitalet, which lost to Real Murcia 2-3.

Also in the First Team, Mellado is aligned at the inauguration of the Estadio Municipal de Albacete, whose trophy is won by the holder blanquiverdes before the City Club, by winning 6 to 2. Barinaga was the coach at that time. New coach

Real Betis, Fernando Daucik, substitute in the same campaign Barinaga 68-69, Mellado fielding first, before the subsidiary of Elche, Elche, scoreless. For this meeting, formed to diabetics: Villanova, Ezekiel, Diaz, Pachon, Mellado, Grau, Landa, Gonzalez, Quino, Rogelio and Anton. So, Mellado would become a starter for the rest of the season, forming in the middle and up front, either.

Exercise During 1969-70, the squad lined up in 14 games, replacing fellow 8 times and shall hold at 6, getting a goal in the field before the CD Altabix Elche.

The arrival of Antonio Barrios third time the Club, marked that diabetics were proclaimed champions of the Second Division and be promoted in style. Nevertheless, serious habitual alternate Mellado, participating in 8 games and getting a goal against the San Andres de Barcelona, \u200b\u200bwhich he wins by 3-1.

The following season, 71-72, Mellado would be transferred back to Recreativo de Huelva, playing again in the Third Division. However, for the 72-73 season, return to Betis for the last time, playing 8 games of League Cup and some of The rest of season would leave the CD Logroñes.

Again with the diabetics in the Second, Mellado be leaving the Club in 74, but this time for good, with the first destination on CF Cordoba, who made an exceptional Campaign getting the fourth place and staying with honey on the lips for promotion.

La Liga 75-76 positive returns to the squad Betis, Real Valladolid as the club would be done with their services. In the hands of Argentine Hector Nunez, the pucelano remain just four points behind third-placed Malaga CD, I would get up to First Division. In the Old Zorrilla, Mellado coincide with other ex-Betis: Anton and goalkeeper Manolo Campos.

In 1979, Jose Maria Mellado, with only 31 years decides to leave the active football due to injury, joining the ranks of the Real Valladolid Deportivo.
Luck, Mellado.

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BETIS REAL PLAYERS: THE QUARRY Betis. 1 THE 60

Invitation To A Going Away Party Wording

Peter Greenaway

used on countless occasions the epithet of art in a lot of movies that are good avant-garde experimentation product developed on the presentation of all kinds of abnormalities.

Like many other directors little or no trade, Peter Greenaway believes that the eccentric is a desirable quality but also has sufficient expertise to complement this with marvelous dialogue, rich in intelligence and literary beauty, complex plots, unthinkable and misleading, and actions that are more than enough credibility.

The universe created for this film is a strange mixture of scenarios, roles, costumes, characters or situations. The central plot points to a sort of sixteenth-century English village or XVI where misfortune has fallen and the land has become barren. After a miraculous birth, the situation changes dramatically and the resurgent prosperity, but this is the perception of the masses.

argument is not particularly attractive, but the execution is superb. First of all, how to develop the plot is quite confusing: the viewer suddenly finds himself in a play itself. Greenaway includes choir, as Greek-style, spectators, players trying to get a role, tableaux various overlapping, change of clothes ... it is a representation into another representation where one can hardly perceive what is actually reality and the actors seem catch it. Varied and deep

build issues by parliaments. It is the goal to talk about God, faith and skepticism, for example, but the verbal structures that actors have a charge utter philosophical merit. It also represents a broad and scathing criticism of the clergy from the use utility that gives the disposal of the faithful. For Finally, as a complementary tool, it resorts to violence, sometimes rather crude, in order to shake the viewer because you could easily miss withdraw and pursue the ideas in the constructive dialogue.

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MANQUEPIERDA AND RUN THE GREEN UTRERA (II): CONSIDERATIONS AND ADDITIONS

Given the controversy generated after this post, and in light of the disparity of comments made so far, wanted to add something more, maybe try to clarify something: To deny that there was no persecution of the Franco regime against Real Betis during English Civil War and later, is a denial largely on the evidence which the author said, by prosecuting them, as there are differing views, while acknowledging the obvious reality of making the Stadium of the 1929 Exposition by Italian tanks and destruction of the Secretariat of the street Bilbao (if by doing so, they were the nationalist troops, also reached the Hotel England). Eye could not be ruled out, but not to say that Mussolini's tanks had been chosen by election of the Mayor Heliopolis then or Sevilla influences of the moment, we have no significant evidence in this regard.

However, I said that elements related to the dictatorships, such as Colonel of Cavalry and ex-goalkeeper of Real Betis, Jose Luis Rodriguez Casso, was secretary of the Institution in 1949, while the General was also Saenz Buruaga an important Betis at the stage of 1953-54, it provided the signing of former Real Madrid Sabino Barinaga, this important piece in the ascent that season.

Maybe I should have including the fact that some may have touches of, say, at this time -1936/39- persecution, but not continuous. The words of Don Juan Petralanda Ochandiano, published in the History of Real Betis Balompié BEA editions 1981, seem to deny such facts in the 40 and 50.

Civil Governor of Seville and Franco recognized, Utrera Molina, was awarded by the Club Betis in the year 1960.

himself Alfonso Jaramillo, was Alderman in the city of Seville for part of the 60's and was invaluable in buying part of the stadium.

The opening of the Heliopolis tram line in 1952, is a timely and important fact, but There were trams in the city in 1910, 20 and 30.

These examples may indicate that the pursuit of the Thirteen Club bars by the regime or items related to it, and perhaps linked with Sevilla FC, was not straight but perhaps sporadic and at specific times, if preferred.

Finally, we can not ignore that, in fact, that Real Betis, from 1918-20, had a social group of working class origin, in fact, some chronic journalist for El Liberal, firecrackers, it said on the composition of the football team "composed of workers" as later letters to the Correo de Andalucía, justifying the lack of response from partners to the rising prices of fertilizers and inputs, by the Directors, headed by D. Antonio Moreno Sevillano, in 1936, as most were working-class youth.

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Eraserhead. (Head eraser). 1977.

David Lynch

To understand the essence of the film should be reviewed Lynch's first job as producer itself and it goes back to 1996 with the title "Six men getting sick" where absurd and repetitive images cluttering the screen while irritating noises to despair to the observer.

Eraserhead is saturated with surrealism, irrational situations and disturbing pictures. Until then, the American cinema had not put something so unusual and so difficult to describe as it marked the debut of Lynch. It was so strange that it was indefinable gender, some smart-ass wise to call it "Terror", though of course not:

A man with a ridiculous hairstyle, check out the house of a friend to digest a rare feast. At that time the mother tells him that her daughter gave birth to a premature body while trying to seduce him. Imperceptibly see the monstrosity that seems to be an emerging equine creature. Some scenes later, the subject loses literally the head as a child takes to sell in a factory of his brain removed a line of draft that will serve to lead hundreds of pencils. Invariably

one tries to find some kind of meaning in the surrealist cinema. The constant inconsistency presents a challenge to logic and rational beings we constantly try to link ideas to make them understandable way, but it is only an action that transforms the phenomenon into something that allows unreal feel less vulnerable. Examples abound and each one can give a plausible contribution to the hidden meaning of any work of the genre, but probably will be wrong. So it is so enigmatic and that is so appealing.

on "Eraserhead" is spoken from multiple lenses, from the denial of paternity to the ravages of civilization sobreindustrializada. From my point of view only reflects the dark and twisted mind of Lynch, a rather unusual source of the most recalcitrant irrationalities of the absurd more attractive and a relentless motor experimental film, muddy but very purposeful.

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PROGRESS AND GREEN UTRERA MANQUEPIERDA: SPECIFICATION AND ANY CORRECTION OF

From writer Betis D. Antonio Hernandez, author of the story "The Green March", during an interview with ABC on July 9, 2008, the writer D. Alberto Guillén, extract and target the following paragraphs, discuss what naturally under a constructive and respectful criticism:

1 º) - What was that "the Green March"?

"" The Green March did not really exist as such, that there was a massive shift to Utrera by a large number of fans to support the team already had seven years in 3 First Division after being champions and was about to regain some of its category amounting to 2 nd . So I came up to call this episode the Green March, taking the name of that event by the parallels and has since coined the term "."

Dear writer, in the first paragraph refers to Utrera, 0, Real Betis, 2 , happened during the tenth Day League Championship Third Division. The Real Betis and stood on the top of the table, and presented this lineup: González, Portu, Gabilondo, Cifuentes, Oscar, Aumesquet, Coto, Orive, Enrique, Mark Martin and Vilches. So that formation was immortalized in a photograph , at that time by the defunct publication, Sevilla, Diario de la Tarde ", 24 December 1953. And after her Betis fans displayed a banner that clearly is written the "Viva el Betis Manque Lose" . We stop at the tabloid, as found that the first reference known existing film. Manque about losing. "

However, in the thread manquepierdista, the very Don Alfonso Jaramillo has argued that such a phrase Senecan began to spread and become popular some time later, in times of Villamarín . However, during the season following promotion, 54-55, the "Sevilla, Diario de la Tarde", offers some references to the term (week 14 to October 21, 1954), before a meeting of the Board at that time chaired by Don Manuel Ruiz Rodriguez , before the mini crisis experienced at the time, as the team had a month without winning .... In this regard, it is important chronicle of the famous Emilio Vara, which refers to the magnificent entry recorded in the Field of San Juan Bosco Utrera, who was "full two hours before the game."

The late John Petralanda, drew special attention to the group of blanquiverdes fans who came to cheer the team during that meeting, "We were the diabetics of the stoning, which we kept encouraging Utrera not a single fan."

picked up the idea of \u200b\u200b"Green March", should clarify that the season 52-53, to which the author fails, there would be another "Green March" to the land of the macaroons, during the CD Utrera, 0, Real Betis, 3 occurred that year. Correo de Andalucía, January 25, 1953:

"From very early and with the arrival of the first trains, our city was invaded by a large number of Seville. The day dawned as not to make a trip to watch a game, but Betis fans, ignoring the water, would not leave in this movement to your computer, such exhilaration that had injected the Sunday before defeating a large score Úbeda, having debuted in the ranks Betic Cedrés and Granés players from Real Madrid.

The anticipation was huge and the Campo de San Juan Bosco looked like a miniature Heliopolis, with more than three-quarters of the audience was composed of followers blanquiverdes.

Shortly after getting the ball in play, attack with greed and Seville Utrera beautifully replicates. Invades the nervous players and audience, and the train is getting faster ... "

therefore join in this, that there are no publications specifying any invasion of the Betis fans San Juan Bosco Utrera, prior to the aforementioned, 1953 , repeat, previous to this and commented on by the writer, as during the other Utrera-Betis (50-51 and 51-52), existing newspapers time, did not quote this avalanche Betis fan. But that does not mean that many fans did not come Betis.

The error of the writer, is associated with what would be the "second Green March" (1953-1954) to the immortalization of the same, apart from the previous "first", that occurred in the 52 -53 and discussed above, that the author may not know . Do not consider it necessary to immortalize an event related to the triumph out of the 3 rd Division, " but history, a posteriori, only reflected the time of the victors

2 º) .... And what's with the "manquepierda"?

"-The manquepierda is a slogan and a way of feeling. Betis slogan because the club has been a very persecuted in this country. After winning the league in the 34/35 season, six players that staff who were Basques migrate and form a traveling club that travels around the world, mainly in Latin America, which called Vizcaya CF which caused a feeling antibético for having belonged to it. Then when entering Queipo de Llano in Seville bombarded the headquarters of the club and its stadium was used as a reservoir tank of Italian Armored Division. I tell you it was a team that pursued and brought forth the cry of Viva manquepierda Betis! "

can not say that the very Queipo de Llano, Sevilla destroyed upon entering the Club Secretariat, as stated by D. Antonio Hernandez, that is absent from unknown truth, historical accuracy, as the social club Betis, who was in the Calle Bilbao n º 2 "Guide Sevilla.1935 Commerce and Industry, was destroyed by a bomb whose origin was unknown. However, Manolo Rodríguez Furest Thomas, in his "History of Real Betis Balompié. Volume II. BEA editions. 1981, " say" a few days after the start of the war was destroyed by the secretariat, who was in the street Bilbao, which meant a new blow to the hopes of those who cut and appeared to assist the sinking of the Company. In those days, according to testimony at the time referred to, Republican troops fired on Civil Government, located just behind the Hotel Inglaterra. One of the bombs, which were launched by elevation, stumbled upon the lamp located on the corner of Méndez Núñez, and after breaking the window entered the secretariat destroying it completely. " While this story fits in the mentioned in "Half a Century of Football Sevillano" Arc Julius Caesar. 1957, the fact is that not cite any sources of information for different parts , and that's the real problem.

While it is true that Italian troops parked their tanks at Exhibition Stadium and knocked down part of the south goal, leaving the facility unsuitable for football practice, we can not say that such fact was orchestrated by "antibéticas black hands." Would be to seriously consider the link to this fact, by the writer, along with former Social Local destruction of Bilbao Street, to deny that Real Betis away team pursued. In this regard, diabetics the moment, as the very Juan Petralanda, stated that "we were not politically persecuted, but nevertheless there was a very strong social repression" (Historia del Real Betis Balompié. Volume II. Editorial BEA. 1981). Thus, there was no persecution as such, as the writer uses some incorrect assumptions, lack of support ..... therefore continuing with Mr. Hernandez, ".... that gave rise to the cry of Viva el Betis Manquepierda ": If the causes fail (that), it is impossible" that "gave birth to the cry Senecan Betis. In addition, we have already clarified that the first mentions of the phrase shown on manquepierdista began in 1953, while l facts that this man you describe are limited to 1936 . The writer even adheres to the oral testimonies of the time. Moreover, if you look carefully in press releases, with the exception of the 48-49 campaign, in which the Real Betis finished in eighth place in the table, the rest was a continuous approach lifts positions even was played a promotion in 1951 -. Another chapter, which definitively alienate Betis of "persecution" would be the example of 1949, in three illustrious high positions federative diabetics, among whom was D. José María Domenech, as President of the Federación Andaluza de Fútbol. Or in 1949, Captain D. José Rodríguez Case, or in 1953, the Secretary of the Association was none Betis General D. Eduardo Sáenz de Buruaga ....

In this way, we make clear that the birth of Manquepierda proceeds to causes other. When time permits, we will try to objectify the most and make a small dissertation, trying to get close to the causes of our beloved and ancient Senecan cry.

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Enramadilla Betis (INCLUDES EXTRA DERBI 1918: THERE MUST BE MORE OBJECTIVE, Lord SEVILLA)

As we had Bajuelo D. Gómez Gil, Betis president from 1921 to 1923, ABC Supplement June 1, 1958 "The Sevilla football was brought with some seriousness in the Prado de Santa Justa. But the great land, encouragement and protection of many teams in Seville, was the then proud and magnificent Prado de San Sebastian. There were whitewashed in the first lines were laid the first wire defining the field and took up the first fence, the famous green tables and the famous red tables. " Indeed, since the start of 1910, the Company Sevilla Balompié, swarming around various playing fields, located in the Prado until 1913 (according to Gomez Bajuelo): "against the headquarters of Engineers, walls of the Parque de Maria Luisa, against the Enramadilla and finally near the Casa de Luca de Tena "(The Pillars of the Earth-Iñigo Vicente-). At the latter location, the football would be proclaimed champion Sevilla and 1915 -1914 -. Also, this area saw the new name of the Sevilla Football.

green tables were also set in place that we are dealing with: The Field of Enramadilla. But us approach its location, moving it to the present:

However, this aerial photograph of 1924, obtained from the Municipal Photo Gallery, we will move more closely to the place that interests us, according to Gomez Bajuelo: "An area around the Casa de Luca de Tena."

The clearest evidence of this, is part of an image obtained by the newspaper La Union, published on February 25-26, 1918. In the scene, Real Betis players and blue-white-and Sevilla Football Club, competing in a derby ball won by the Balompédica by 3 goals to 1. In the background, the entrance to the factory or Gas-Electricity as E -. Andalusia 03/14/1965 We still have the image of the Sevilla goalkeeper, who was on the right of the photo, which makes clear the location of the field along.

The first chronicles that speak of the last settlement in the area Balompedica Prado de San Sebastian, could date from 1914, however, is from 1916 when the name "The Enramadilla" will more common than "green tables." This first classification may start disclosed (Correo de Andalucía) from the match against Recreativo de Huelva played October 16, 1916, tying a little. Betis formed with Escribano, Bryce and Puig, Andrés Hermosa, Jones and Slin, Trades, Carmelo Navarro, Henke, and Lion Heads. According to the chronicle of a journalist "Charlie", we noted that "We are very respectable people say that the President of Sevilla FC insulted for no reason at all football players. This little right way to proceed is unwelcome in person chairing one of the early societies of Seville. " And the President was nothing less than Sevilla's Francisco Javier Alba and Alarcon, Soper correct me.

Betis, at that time, it is the Cup mode "Six Aside", ie 6 players against 6 -. First beats Recreativo 6-1, while in the Final defeat to Sevilla FC by 2 goals to 0. According to El Correo de Andalucía, both teams formed as follows:

Real Betis Balompié: Escribano, Hermosa, "Dad" Jones, Erades, Carmelo Navarro and Cabezas Sevilla

Foot-Ball Club: Alcocer, Perez Tornero, Gomez Ramírez and S. Navarro.

Caramel 1-0 2-0 Cabezas

"After finishing the party, the President of the National Federation Cup Captain gave Real Betis among the cheers of the audience. "

was

Important to note that the October 6, 1917, Real Betis appropriate to modernize and protect the Country the Enramadilla. So he picked it up "trip" in the Correo de Andalucía:

"fence with football!"

"It is a fact and that the members of Real Betis Balompié surround your Country Sport a fence. Wow. Yesterday put the finishing touches to handle that this calls yesterday proceeded to the placement of the timber surrounding the land. "

Finally, the Field Enramadilla opens before the start of the championship 17-18, enlivening the music band of the Salesians, tying somewhat against Recreativo Huelva.

November 4, in a friendly match is thrashed the ship's Prince Of Walles, by 8 goals to 0. But next day the British took their revenge winning 2-6.

November 12 officially begin the Andalusian Championships, beating people to the Balompedica Huelva 5-1 with an acceptable alignment: Rodríguez Case, Barzanallana, Casino, Llinat, Artola, Barragán, Leon, Cabezas, Canda, Navarro and Jimenez.

Championship went very positively in the Enramadilla, where his rivals failed to beat him. Cadiz FC-English-(8-0 and 5-0 in the two statutory meetings) and Recreativo de Huelva (9-0) were crushed, but not a day before the latter to Huelva, Sevilla FC win by 3 goals to 1 ......

IN Enramadilla, SURROUNDED BY AN INCIDENT DERBI

Making History, 24 February 1918, the second leg of the Championship of Andalusia, Journey to the penultimate the diabetics, might hold an exciting Betis-Sevilla. Let us in this meeting, because our victory was decisive in order to match points against the Commercial Club, which took us an advantage, although Balompédica had two games in hand.

Real Betis Balompié: Portillo, Canda, Barzanallana; Salvador, Balbino, Barragán, Puig, Carmelo, Artola, and Lion Head.

Sevilla FC: Diaz Alcocer, Trujillo, Ismael Ramirez, Perez Cruz, Armet, Spencer, Ramos and Escobar.

Beyond the sporting side, the fact is that incidents occurred displeasure and violent. The publications of the period, according to the chroniclers provide diverse views. And allow insist on the circumstances that marked the game as from various media-existing computer-webs have proven to be somewhat unbiased, since to analyze a fact necessary to consult or publish the various reviews that reflected. Extract what we consider fun and fundamental, but there is the archive to check:

- El Correo de Andalucía -

"Following Party a dispute arose among some players that spread among the other as the trail of gunpowder . The thing took such characters, they had to stop the security force and artillery soldiers, who arrested those who were more Goals, leaving prisoners in the barracks. "

" In the clinic the Prado were assisted several equipiers of enthusiasts, and the Perez-Sevilla FC player-of severe contusion on the shoulder. "

"A committee of the Directors of the Company Bpié Real Betis has visited us in protest of what happened this afternoon at the Prado, in whose case have had no part . The perpetrators are not members of the football." trip Chronicle.

- El Noticiero Sevillano -

"A large group of football fans, taking advantage of the arrival at the gate a equipier Sevilla FC villainously slapped him, taking the player helpless. "

" Soon after, another spectator is telling us Pyrotechnics operator, stepped on the field with a knife in his hand and a stick, attacking the left half-Pérez-winning team. " Coram Chronicle.

- THE LIBERAL-

" A viewer thrown against a player of Sevilla, cowardly and brutally assault her in the back. " Firecracker-a chronic failure to check-

So, go ahead together the different points of the three publications, but the image:

- A viewer launches pitch, knife in hand and attack from behind the player Sevilla Perez. That spectator was arrested and taken by the security forces outside the compound.

All other opinions, to assess all of course for the reader, no longer in this case clear:

- The party had ended (Tripping)-There was no influence on the outcome-

- Player Pérez Sevilla suffer a severe contusion on the shoulder (tripping)

- Directive of the Betis protest for what happened, visiting the newspaper (tripping)-El Betis shows his complaint before the facts-

- The attackers are not members of the Football (tripping)-It note to them, is affirmed by the journalist who does not belong to the social list of Real Betis Balompié -

- Amateur Football slap a player of Sevilla FC (Coram)-followers, not partners. Still, too bad about that kind of fans are made reprehensible and unjustifiable -

- say that the viewer of the knife, an employee of the Pyrotechnics (Coram) - "Say" - and well? -

is totally incoherent involve circumstances such as those of the Enramadilla 90 years ago, because one thing is the direct or indirect involvement "but demonstrated" a club to another to harm (22 goals are many, for example), which narrated here. So the eternal seekers of ownership of dogma, would give them a simple phrase of the great Marcel Proust, to "seek the lost time": "There are beliefs that create evidence."

Pictured above, from the Photo Library Municipal de Sevilla, shows the House of Luca de Tena-Not to be confused with that of the palm tree, which was demolished in 1965 to increase the Street Hell on 4500 m2.

THE GOODBYE TO

Enramadilla

After fixing the embarrassing 22-0 in the fief of Trade Sevilla (tie between the two entities were matched to points in the great Andalusian Championships played by Balompedica 17-18, Betic Club Season comes to an fin.El May 14, 1918, the Courier published the order of the Mayor Borbolla consisting of "removing the tablets of the existing soccer field at the Prado de San Sebastian." That same day, "tripping" states that "the outstanding players of Betis, Balbino, Artola and Canda have joined Sevilla", and "The Country Betis are looking for." And he found a place where the first major milestones achieved in the history of Club: Royal Field Worker Board

PS Thaks to D. Enrique Anino Cañal for their generous collaboration and all People who are guided by reason and fairness irrespective the colors of each.

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1918: 90 YEARS OF THE OPENING OF THE FIELD OF THE BOARD. SEVILLA TO A POWERFUL, THE HUMBLE BETIS equipment presents Betis

In 1918 the City Council that presided D. Pedro Rodríguez de la Borbolla, decides to develop the land of the Prado de San Sebastian to enlargement of the Feria de Abril. In such places was the pitch of the Enramadilla, or "green tables, the last field used by the Betis until then, those who resided in the Prado.

El Correo de Andalucía, May 15, 1918: "A Borbolla order not to stir up more tables in the playground of the Prado de San Sebastian, has raised protests from the fans in Seville. Betis are looking field. "

In June, Real Betis achieved assigning a piece of the call Huerta del Fraile, located near the neighborhood of the Board Obrero.Publicación Madrid football in 1932: "D. Carlos Fdez Pando, Secretary of Betis .... Thanks to the efforts of our Vice President, Mr. Alarcón de la Lastra, the City Council gave the land where we are now all of our facilities .... "

Until the reform of 1924 this field will also be known as" Green Country Tables ", by fenced back woods of this color, many of them moved from the field of Enramadilla for reuse.

The November 1, 1918, was made the official opening of the Campo del Patronato Obrero, taking the team as a rival Betis Sevilla FC, which would win by 1 goal 5.

According chronic firecrackers in The Liberal, "Football Players pointers, Recreativo de Huelva and FC English, occupied the bank of Seville, and is clear, the opposition is reduced to the smallest expression. " Indeed, by Sevilla FC, among other prominent, lined the exbalompedista Artola, who was signed by the Club of Queen Victoria that year. If we stick to the sports column on Monday, May 18, 1918, the Correo de Andalucía, textually read: "They entered the notable players Sevilla Betis, Balbino, Canda and Artola.

Real Betis Balompié : Portillo, Moya, Vilches, Ramon, Montaño, Barragán, penis, Ramos, Benitez, Homer and Queen

Sevilla FC: Santizo, Conde, Alosca, Campa, Otero, Ferrera, Escobar, Spencer, Canda, Artola and Leta

possible, such training of football could have dressed in blue and white, and only 16 days after the inauguration of the Country, the 11.17.1918, in a match for Andalusian Championships held at the Queen Victoria, in the chronicle of The Liberal, firecrackers journalist, says: ".... the team of blue , composed of workers, at all times made generous offering of your heart ...."

Weather happened between 1918 and 1924, is a very delicate period in the history of Real Betis. The have absolute financial ruin. According Bajuelo Gómez Gil: "The players were on the roof of Trustees sky "...." tables are coming to the ground as rain or strong wind to"

However, after 1924, the Regiment under Captain Ramon Soria Navarro Cáceres, the Bank will begin to take off.

In the notice published on September 5, 1924 by the Correo de Andalucía, it reads: "A few days ago began the important reforms that Real Betis Bpié has planned for

Sport field of Trustees,

which consist, according to two elements of the Club say well informed, to go around the field with fencing material and install wooden grandstand and bleachers. "

15 days after the earlier announcement, on September 20, 1924, El Correo de Andalucía reports in its sports section:

"R. Betis Balompié puts the finishing touches to its vast and beautiful Country. The field, operate this metamorphosis, that from nothing, because that was sad to see it-will become one of the best in Spain, becoming so strong works, under the leadership of men experts fear there will be no temporary or anything.

Field is surrounded by a fence of thick brick material, lined on both sides with cement, with a length of 145 meters long by 120 wide. Immediately Playground, will be a double track banks. A great house with two floors high and low, that its lobby and departments for equipment, the sides fitted toilets, showers, etc, will be installed on the average input Preference and from there to the gates of goal, four-step stands 46 meters in length. Reserved for members will be another major Tribune referred to the booth. The stands established in the goal lines, or between the corners of preference and goal points, measure 24 meters.

The pitch will be lowered from its normal level in centimeters, sloping to the center for drain.

After completion of construction, the field is room for 20,000 spectators. A large door and a smaller one for the partners in the Preferred and the General, 2 against the Board and other 2 beside Cadiz Railroad line, over the Goal, provide faster, without difficulties in the entrance to the public by large it is.

As important work will be completed before the start of the second round of the championship.

However, the first Second round match of the Championship of Andalusia, it would be the scene of the inauguration of the Country after completion of the works, something which should match it in the Calendar with Real Betis-Sevilla FC (21-12-1924), and that in the first meeting of the Betis played out, the October 26, 1924, the diabetics did not have the La Línea de la Concepción to the Club Owner, within the established time (come on an hour later) for the mechanical problem of one of the cars carrying players. That meant that Real Betis, at the federation was disqualified from the Championships in Spain.

That

tribulation, however, helped the club to focus on the completion of works in the field, which is open on December 13, 1924 in the first of two games played. The second one would dispute the next day.

Specifically, the Club was invited UD Sans, Barcelona prestigious institution which was then proceeded as runners-up Catalan regional championship.

Prolegomena the first of two meetings held in the Field Real Patronato Obrero, to the UD Sans. In the picture the master Bouquet Betis shares with Catalan goalkeeper Pedrol. Beside him, the president of Real Betis Balompié, D. Navarro Ramón Cáceres with executives of both clubs.

In the first meeting, the Betis play with Jesus, Menudo, Aranda, Gildas, Castañeda, Ramon, Tenorio, Alvarez, Carrasco, Nogueras and Muñoz. 1-0 was the result of the first game, Antonio Tenorio being the author of both.

The next day he would play the second match ie on 15 December. On this occasion Sans imposing 0-2. The only change in the diabetics compared to the previous alignment, would be to Carreño by Nogueras.

Later, he would invite other Catalan club. On this occasion would be the English of Barcelona RCD. The Catalans would visit the Board, with the great Ricardo Zamora, by winning both games (0-1 and 0-5). Nevertheless, the performance of Blanquiverde Club would be very well received by the press in general, stressing "the character of great team that had the then English.

This takeoff initiated by the Club, from these earlier reforms made in the Board, would continue to get their championship in Andalusia, in 1928, the Cup Final of 1931, promotion to the First Division in 1932, and the League Championship in 1935.

those same years, under the chairmanship of D. Ignacio Sánchez Mejías, the Board would enjoy new reforms, which further expanded the place of the Field of cheap housing, reaching approximately 8 to accommodate 10,000 spectators.

Pictured left, we see how the Board's Field is at its maximum fullness, level of modernity and accommodate spectators. On the left is the Fronton Tribune Betis, after it was Betis Real Club de Tenis.

The image was taken in 1935, during the game R. Betis 1, Real Madrid, 0, after the famous goal by Ricardo Zamora Timimi, the legendary goalkeeper throughout the game remained a discussion with the defense Quincoces facing the front Timimi surveillance.
That year, the Real Betis Champions League crown, having yielded just two draws from the Board, but without being defeated in the eleven matches played in the mythical City of Royal Patronage.

On the left, the Tribune's Goal against Betis Frontón. Behind it may be several units of the FF line Madrid-Cádiz, and various industries. All within a singular Sevilla and disappeared.

The public, having achieved that goal Timimi, shooting and staged a peaceful invasion of the pitch. By then it was common for players to walk shoulder after plays, goals or games important.

Rafael Medina

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100% wrong in History Club Heliopolis

I communicate my utter outrage at the historical errors, reported in its issue today, for the "HISTORY BETICA"-page 21 -, which is not telling the truth by two significant shortcomings:

1) Place the image alignment which beat Real Betis at the Sanchez Pizjuan by 1 goal to 2, 7 September 1986 ( http://www. lfp.es / historic / primary / calendars / ficha.asp? temp = 086 & Jor = 02 & equ = 07 by passing it through the training they played the final of the League Cup, against FC Barcelona, Camp Nou catalan. Of course, in this Final, played no Luis Miguel Gail-in photo, second from left, between Diego and Quico, "and that took payroll Valladolid Betis, facing the Season 86-87, in addition, the goalkeeper who played for Barcelona and not Salva was Cervantes. Finally, the bottom of the image is figured by the Estadio Sanchez Pizjuan , and not the Nou Camp in Barcelona.



2) In the second paragraph of the article quoted is knocked out of UEFA before the team's "University of Krakow." In Poland there are only Wisla Krakow Krakow and Krakow. Actually, we got off the University of Craiova Romania, where they played among others, the International Lung, Iordanescu, Ungureanu or Petrescu.

Finally, the "History BETICA" article entitled "A happy time for diabetics fans, the period from 1982-Platinum Weddings," until 1986. I beg to differ, in part, on what is claimed as a kind of "Happy Arcadia," because it has qualified in a small portion within that space-time, obviating many points that could make believe otherwise, and further comment.

Sources explanatory documents: - Official Web ABC-Journal of the League of Professional Football Sports Super-Yearbooks-Dynamic-Wikipedia: http://es.wikipedia.org/wiki/CategorÃ-a:Equipos_de_fà º tbol_de_Polonia

Rafael Medina

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A Clockwork Orange. (Clockwork Orange). 1971.

Stanley Kubrick

Kubrick had a very eclectic career she wandered between film peplum , science fiction, horror, erotic and last but not least, the pacheco . "Clockwork Orange" belongs to the latter categorization and is based on the novel of the same name written brilliantly by Anthony Burgess in 1962.

recreated the atmosphere is dystopian but not so apocalyptic. As a special feature is in secret language, slang used to gangs of teenagers which is incomprehensible in the opening scenes but, given the repeated and deduction, is gradually understand. These are words of Russian origin - "Fragments of an old gypsy slang ... a few words. But most are Slavic. Propaganda. Subliminal penetration. "- Dr. Brodsky says the novel.

Alex is the head of one of these urban hordes, he and his droogs have fun beating and torturing women and the elderly. One is a writer opposed to the totalitarian regime that prevails and there is a woman who ends up being killed. As a result he is imprisoned and experimentation lies a brand new brainwashing technique where the purpose is that it is repugnant violence or sexual desire. This is not behavior change itself is only a reflex tax: impulse remains the same criminal, but now can not put into practice because there is a psychological barrier and probably physiological.

As much of the literature and films of the sixties and seventies, is littered with references to the police state that existed in the socialist system and the influence that one way or another was on the other side of the planet. The language, the modus vivendi, the authoritarian state and adoration for the work are widely used arguments. The rarefied atmosphere

built by Kubrick is memorable. Filmography immortal scenes from the aforementioned tape and it is not surprising because the graphics are immense wealth, its scope and greatest virtue has been the settlement of collective memory. This has been the result of the zero restriction the atmosphere looking for all possible imaginary.

Malcolm McDowell is a very rare subject, not atinaría to define exactly why but his face refers to the madness and illness behavior. I would say that despite the stark contrast between "Clockwork Orange" and "Caligula" is very similar to his histrionics, as if some action and do not represent who simply is.

From a superficial view, the film is close to the novel. One of the main differences is the disparity of age in relation to the book's characters (Alex and the droogs prowl the fourteen years and have sex with girls of ten). But substantive change, and which eventually became the insistent criticism of Kubrick Burgess is the lack of consideration of the final chapter and thus the total alteration of history.

Despite being a dreadful novel to over twenty chapters, the twenty-first gives a totally different perspective. Suddenly becomes optimistic, hopeful and more positive messages, the main concern the change in mentality generated within oneself, not by imposition. The outcome is the opposite of Kubrick, follows the same structure, is the pessimism and gloom in conjunction, but not bad. In Kubrick

can say it was an excellent director and he had the touch to know what novels made into movies and making tangible the unthinkable.

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Cet obscur objet du désir. (That obscure object of desire). 1977.

Luis Buñuel

This is probably the film with the highest burden filmmaker caustic Aragon and despite the staggering depth , to say the least, of the dialogues employees. The script puts a natural counterbalance to all the acid black humor and questioning the basis of morality and all that encompasses such an ambiguous term (chastity, adultery, deceit, hypocrisy, interest ...).

The plot unfolds in a timeless and switch between different spaces and a passenger train. A subject a little more, Mathieu, tells his fellow travelers their trances suffered a very beautiful woman and much younger than him, Conchita, whom he met when he came home to work as a maid. The protagonist describes as unfortunate experiences in response to the inquiry, in which is involved in throwing water with a bucket, a woman who wanders down the hall quietly to the station (which frankly is absurd and totally out of place).

From the moment he saw her, Mathieu became interested in the young and never ceased to show interest she paid to flee whenever he could, but at the same time, revealing a dark macabre intention provoked him appearing in the most unlikely and unexpected as possible. After numerous misadventures got to have her mercy but she refused to deflower physical contact going so far as to use a piece of chastity were futile insistence thousand with a single excuse. At bottom it was all a big charade because she used to dance sensually provocative and money and even had a lover who regularly appears out of nowhere.

Obviously the title of the film refers to carnal desire. It is dark in as they can blind any perception and can ruin any objective perspective. The loss of rationality and the pursuit of something intangible and harmful at all costs.

Probably one of the most notorious and interesting is the use of two actresses for the role. This scheme aims to reflect two disparate personalities into one person. On one side is an elegant woman, quiet and refined and the other shows a woman mischievous, sensual and carefree, the choice of nationality is not trivial: French and English respectively. We had to make the public see that there is a universe within each house where sometimes forces are opposite and irreconcilable.

Although it is likely that the decision to vary between two characters is more the product of chance or some boot without premeditation and all around are unnecessary hypotheses originated.

This was the last film directed by Luis Buñuel and from my perspective is one of the most entertaining and dynamic. In the course of the plot happen a lot of absurd situations that reflect his penchant for surrealist themes, but unlike any of its predecessors, it is full of explicit humor.

aside his twisted subconscious, he filmed a movie in the fifties also cut comedian called "Big Skull" (the adjective "food" in its own terms) but the distance between the quality of both is infinite. In the case of "That obscure object of desire" how to present images and dialogue breaks abruptly creating a pleasant surprise for the viewer, in the case of that Mexican film, the humor is cheap predictable and does not differ from the comedians performed by Mexican gold film.

fate would think that his latest film faithfully reflected the majesty of his career and really could not be otherwise. One could assume that with age comes a deep reflection on what life is and that perception will be gradually painted black. Buñuel's film is darker as more years passed, left side a little irony and sarcasm to approach the most plain and obvious.

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STADIUM. 1 / Beti Basconia

Today, July 16, 2008, marks 72 years in the Real Betis Balompié lies at the heart of Heliopolis. It was two days before the outbreak of the Civil War, when the Directive Betis signed the agreement for which was Heliopolis Stadium rent of Real Betis Balompié, for a period of 10 years. We started this series of monographs on the Stadium of Heliopolis.

was considered important to know much of the previous situation in which it was Real Betis Balompié, the context in which the Bank of Trecebarrista saw himself in need, due to economic demands, municipal and perhaps moving to another sports stadium after a residential period of eighteen years at the Field Worker Board. For its part, the Consistory of Seville, directed at that time by D. Horacio Hermoso Araújo, was facing liquidation of the debts created by the Latin American Exhibition of 1929, this means that buildings were intended to delegate to the event, as would the Sports Stadium.

During and after the UEFA Cup in Spain, to help alleviate the difficult economic situation of the Club (we have a deficit of £ 200,950 at the time, according to the Secretary of the Club, Francisco Fernandez, in an interview with the great journalist Antonio Cantos. Correo de Andalucía, 14/05/1936) - would be considered prerequisite - as well as the transfer of key players - go toward a new sports area, more modern and more room, which perhaps could do other sports, so as to "popularize soccer and all sports, reaching to the mass "(El Correo de Andalucía, May 13, 1936)

During the Assembly on 15 May, apart from various direct measures taken to alleviate the economic crisis, D. Valentino Perez, President at the meeting, quoted at the end of the project to achieve the transfer of the Exhibition Stadium and reform the current field (obviously, the latter would not perform as desired by the governing diabetics because the sudden outpouring of July 18)

May 24, 1936 Betis-Real Without the title because of the republican state would play his last match in the Field of the Board, faced Atletico Osasuna Cup game in Spain, which ended scoreless. It submitted the following Alignment: Urquiaga; Capesto, Aedo, Peral, Gómez, Larrinoa, Caballero, Unamuno, Paquirri, Rangel and Pepe Valera. One day after noted in the preceding paragraph, it is assumed the Urquiaga signing for FC Barcelona, \u200b\u200bwhich is expected in Barcelona for the week. That same day, is celebrated Tertulia is held at the Economic Society Andalusia, where it begins to ensure that the progress of the Bank to Heliopolis is almost a given.

On 6 June, the newspaper ABC published the schedule for the 1936-37 season. The first game of the season, scheduled for November 15, 1936, to face Betis Zaragoza CD. A league that had to wait to begin 12/03/1939 by civil strife. ABC's edition of Seville, in June 29, 1936, states that the negotiations between the Excellent Aytmo and Betis Balompié, about moving to the Stadium were well advanced, and that was being imposed at a rapid pace.

On July 1, finally, everything seems to be tied between Betis and City Council, in fact, as ABC tells us in the edition of that day: "Yesterday, the Directive Bética led an official visit to the Stadium in order to trace the works that have to do then, to put the beautiful countryside in a position to host matches. Tomorrow will probably be signed the contract which is attributable to the full enjoyment of the Betis stadium for 12 years. At the same time, the Field Board will be transferred to the Federation Cultural Deportiva Obrera, but Betis reserving the right to return to the Board if he finishes his performance in the same field, upon completion of the agreements to be signed. In terms of days will begin the preparation for the plot of the game, after thorough disinfection "(that gave an idea of \u200b\u200bthe dilapidated state of the Stadium was abandoned after the friendly match held in his time ago)

On July 2, 1936, a box on the ABC Journal, announces: Betis Balompié Notice. "Courtesy of the Exhibition Stadium to the Company, is made known to the public that as of this date and until 15 the next, allowed registration of members supernumerary seats right to hold a forum in general the price of 3 pesetas monthly . Likewise, membership registrations will be accepted for the whole year at a price of 36 pesetas and entitled to the cities in general. "

The next news we arrive on July 15, 1936, on a small note in the newspaper ABC, which specifies that the transfer agreement Exhibition Stadium would be held the next day, the 1 Later, at City Hall.

The July 17, 1936, ABC on page 29, states in his article: "The transfer of Real Betis Balompié Stadium The Mayor's office yesterday was entitled cession within 10 years Betis football club, the great stadium located in La Palmera.

Representing Settlement Commission of the competition, signed the contract the Mayor, Mr. Handsome Araújo, in his capacity of President of the Settlement Commission, so in his portrayal of Vice-President D. Betis Manuel Alonso Cueli, acting as Chairman. Were present Mr. Gallego Burin City Clerk, Councilmembers Garcia Lániz and Majid (or Magadan), Mr. Gonzalez Alorda Settlement Commission for the Exhibition, the directors of the Betis, Mr Fdez of Pando, Moreno Sevillano, Barroso and Wesolonski, Mr. Ibanez Andalusian Federation of Athletics, and Mr Lopez and the Tertulia Bética Cazorla. "

This completes an important episode in the history of Real Betis Balompié, and two days after another in such major start, life Club radically change his future, except for its location: 72 years, a lifetime in a beautiful place called Heliopolis.

Betisweb.com Betica Edited by the July 18, 2008, see Ephemerides

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Castle purity. (1972).

Arturo Ripstein

The biggest hotbed of ideas in the film unusual is the reality. Says an old adage "The truth is always stranger than fiction." The events that inspired the screenplay unlikely Arturo Ripstein and Jose Emilio Pacheco stir among journalists' sources of the time, the novel by Luis Spota "The cat laugh" and the play "The motives of the Wolf" by Sergio Magaña. Interestingly each work infinitely far from each other.

tells the newspaper El Universal in footnote 90 Anniversary : news of the tragedy : "That decade ended with the coverage of a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children. Were over 15 years of captivity, exploitation and humiliation, the father had built a small cottage industry in which their children elaborated insecticides and rat poison that he was selling. His family fed with a diet of oats and beans, which favored spirituality. Nobody visited and only left the house for the parent to teach them the perversions of this world. "

writes on the same case in his book Carlos Monsivais The Thousand and Wakes:" In July 1959 he discovered a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children, somewhat allegorical names: Untamed, free, sovereign, successful, Living Well and Free Thought. They carry more than 15 years locked up, beaten, buffeted by scolding and sermons. The eldest daughter, Indomitable, is 17 and the youngest, Free Thought, 42 days old. For 15 years, Pérez Hernández feed your family on a diet of oats and beans, while forcing the development of rat poison exhausting. Nobody visits and only leave the house so the father taught the perversions of this world. (From time to time to go ... Thanks to observe prostitutes and alcoholics.) Eventually they decide to rebel and ask for help. And in July 1959 police arrested Perez protest: 'My sons are just trying to take over the capital that have been formed with many sacrifices'. "


As a matter for another source of inspiration for Ripstein, I think the literary version is deficient for various and multiple reasons. Primarily reflects little direct technique usually build extremely long parallel stories trying to justify the psychological profile of its protagonists. Maybe it's a personal setting, but I hate the texts that are excessive in their explanations or assessments and the quoted text is saturated with feedback between dashes, parentheses, question marks or commas. Regrettable and paradoxically suffers from these specifications in developing substantive developments.

recreation of the story that scandalized Mexican society is only a pretext and the real objective is murky: there is a book about a little of everything but nothing concrete. Line plot could be about incest, patricide, and bestiality, the prospect of God and sin, social putrefaction, psychological distress, sexuality, jealousy, or the limits of a man obsessed with an idea, but the truth is that all are treated briefly and instead delves into the most crass clichés. Luis Spota

builds most of his novel about arguments ridiculous and effeminate. Claudia's past, his wife, covers much of the book and has the misfortune to pall quickly the reader for what is written on it as well irrelevant, is unspeakably corny. The story is sadly missed and, despite the immense potential that is, ends up falling into the typical arguments of a TV melodrama. The result is a document totally distorted from its original conception

The real core of the novel may be stated in the purpose of the antagonist: creating a race of supermen, as Nietzsche would say. Lazarus believes himself a unique individual, unique and chosen by fate, so has lived isolated from the mundane. The bricks will be constructed on the reformer project are the genes of his family and life mixing genesis find this new society. Incest is not mean or nasty, just the process by which this type of Adam procreate offspring needed and that, besides being desirable, it is perfectly natural.


The film version, or the credible representation of that unlikely event, is the polar opposite of the unfortunate version of this publication. The script was neatly written by Jose Emilio Pacheco and Ripstein and aims to show the character sick, deranged driver and the parent (which, unlike the previous case, appears as the main character), in general, is narrower than in the novel but much more direct and, I believe, with little trace of ambiguity.

obsessions Gabriel, former Lazarus, dictate the behavior of their children and wife, who are shipwrecked in the ocean that a volatile mood. Their deposits in the schedules, training and world views have shaped bodies without autonomy more like zombies than individuals.

For Gabriel the world is superficial and worthy of loathing, human beings sin and constantly evoke the woman creates the seed of this pest: - Can you imagine how many deaths would fit in this room? - Says without any prior dialogue that encourages a similar remark and soon narrows, beasts only seek pleasure and playing perpetuate its horror and squalor. Is a string that will only end with the end of time ... and with the People are the same, by the rats have known better ... that's why men do not want you to have any contact with the world.

Despite the particular vision that has printed on their children, and Future Utopia emerge in some primitive instincts and it was impossible to feed them with someone outside your blood, try to mitigate them among themselves. These jolts of naturalness, are sporadic because basically it's too late, Gabriel has been able to form a structure irresquebrajable around his family and no matter they have a chance to break free, will eventually be uncomfortable in the objective reality of the rest the world.

However, there are some events reflect the profound hypocrisy of Gabriel. So much of the film one gets captivated by the speeches and postures of this eccentric individual, but soon runs out of position violent actions to the concept that it had formed the observer. The change is so drastic that it is valid to wonder if the director made a mistake or where to volunteer, questioned the purpose. Probably this peculiarity is the only loose end and in that sense, it differs from the novel that presents a character with attitude unchanged.

With the economy in the dialogues, actions need to be excellent and they are. The picture gives it lacks the dynamism of language spoken and awakens in the viewer a lot of emotions, especially hopelessness and melancholy.

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Pi: Faith in chaos. 1998. (Pi: order from chaos).

Darren Aronofsky

I consider mathematics as an ideal world. A place that has no existence independent of our own. This is a complex site, inextricable, dark, but coherent, fascinating, and receptacle of pure reason.

deep or shallow Those have come to know that this discipline is something indescribable main feature only might call magical. All that order, accuracy and inerrancy make as close to perfection, ergo God.

This idea, that mathematics is the divine language, is old and its gradual evolution has reinforced this mystical sign. Mathematicians have found that the more distant roads lead to the same number, as if nature will point to it directly.

Pi equals the ratio of the circumference of the diameter of the circle. Their discovery is lost in the annals of time. It has been a usual object of study and the findings continue:

The units unrelated to this rigorous science have been involved in the eccentricities that may be collected from the immaterial world away. The film, like identity and human consciousness, has reflected the more sinister aspects but also the most notable of society. In this particular case, Aronofsky shows a subject self-absorbed, obsessed with finding Number, one that gives logic to the universe, one who does it predictable, a number that gives a pattern to their demonstrations and finally demonstrate the relation between causes and effects.

The protagonist embarks on an odyssey through the sacred readings of Judaism, the behavior stock markets, the greedy multinationals and the teachings and progress of his mentor ... all to justify their existence and unravel the mysteries that the operator has put in front. The novel mathematics is involved in these and many other adverse situations until fate gives her enlightenment.

Given the impossibility of naming this hypothetical and transcendental value, the film resorts to that well-known number to entitle his work. The reason is not due to chance, rather the need to set a specific idea in mind of the beholder: the existence of a number with infinite properties, all unconsciously, we relate it to pi, eo phi.

Pi: the order of chaos marked the debut of an ambitious young filmmaker. Overall we can say that debuted on the right foot and both the critics as the ordinary public strongly approved testing capacity and distance of the recurrent topics.

Since this his debut, resources, as well as support from industry were scarce until after consummate success. Aronofsky proved once again that the special effects, well-known actors, production houses and the large sums spent on advertising are unnecessary when you have an innovative idea and it has enough technical capacity to materialize without departing from the many tangents that may arise in implementation. Aronofsky

merely projecting the dilemmas and questions that haunt again and again our thoughts and our deepest mental subterfuge. He chose to do the most purist and most rational man has discovered: abstraction.

Exercise 1. Show that pi is irrational.
Exercise 2. Proving the identity of Euler.

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Ghost in the shell. 1995.

Mamuro Oshii

The animation tends to create intricate universes and usually notable for its innovative and strange ideas. However, the novice tends to prejudge and categorize the fiction genre par excellence. Western eyes are unaccustomed to the complexity of the characters, plots or concepts and are easily disturbed by violence and crudeness of the images.

When one thinks of Japan's manufacturing immediately comes to mind is the word quality and animation is no exception. Tends to project all the care and thoroughness of the people is capable of rising sun: the level of detail and refinement is reflected in the environment, scenarios, or in any secondary device is placed in the plane.

However, staying in that level would be absurd because it is the constant in any animated series East. What these paragraphs could be written to Akira, Cowboy Bebop, Ninja Scroll, Jin Roh, Battle Angel Alita ...

Discuss Ghost in the Shell is inevitable because it represents a major milestone in the history of animation. Data from the nineties and belongs to the current called cyberpunk that, although it has been exploited enough, is one of the most serious attempts of science fiction.

works influenced by ciperpunk exhibit a bleak future dominated by mega-corporations and tech to the extreme. Excesses of technology that allow you to perform genetic modifications, physiological and unify man and machine, so to speak.

However, the most interesting approaches are those that prioritize social change caused by technological advances and they do not per se. The cited work reflects the profound changes in everyday life of people in their professions and institutions, to further uplift making use of some archaisms contrast two realities that inevitably coexist.

In Ghost in the shell, we must note first the impeccable quality in the performance, then history and finally implementation. The main argument revolves around the search a hacker known as "Puppet Master", by two policemen, Batou and Kusanagui, sui generis since the current form. The Puppeteer roams the network by implanting false memories injuries and in subjects who in the end are nothing but a smokescreen.

ciperpunk ideas are coming from the atmosphere depressing as built, but from a purely literary point of view are amazing, hard to assimilate because of its originality and giddy futurism. To the profane eyes the imaginative inconceivable that some artists have developed skills that lacks not only the majority of people, but most of the writers. To feel alive we must never lose the wonder and the genre, in particular, challenges the belief that everything has already been written (or planned). In the genus

no other figure that William Gibson, father, founder, pioneer and visionary. For simplistic is the first to coin the term "cyberspace" referring to the digital reality that exists but is impalpable. For others it is a geek with too revolutionized thinking for most mortals. Regardless of the scale from which you want to be seen, one can discover that there is more, is the spearhead and all roads lead from it.

One of the most useful gadgets is the ability to digitally store emotions and, similarly, online transmit sensory perceptions (thus a connected person to another, feel, see, hear or taste the same as the primary receiver). The film adaptation of manga created by Masamune Shirou, is littered with tools similar to this: the Puppeteer infiltrates, via the network, in people and creating a fictitious past. In one chapter of Neuromancer (1984) reads: "The abrupt jolt into other flesh ... he found himself thinking in the mind to share those feelings ..." Molly carrying a passenger, he said, and Larry does not like ... Someone using your eyes. "

This is a strange universe. There is also talk of artificial intelligences living on the net and guys who do not die at all because his consciousness is stored in a kind of hard. These entities (not know how else to call them) wander in a world heritage and manipulate the subject of flesh and bone as if it were grave units.

So the Wachowski brothers are not enlightened beings that everyone thinks. Are the mass of an incredibly powerful concept, but many years ago.

Reality is nothing more than electrical messages that crowd the brain and, therefore, could be modified or imitated. Let's wait.