David Fincher
Is there anything more cruel, repulsive yet fascinating as the mind of a serial murderer? We have all felt attracted to know what goes through the head of a murderer who is methodical, cold and also has a standard and well-defined objectives. In general, we want to know what motivates them, if you have trauma and deep "we bask in crapulencia "like a celebrity (see, for example," Natural Born Killers "," Murderers by nature, "Stone).
A more interesting film that addresses these issues is precisely twisted cited at the top. The director also has the disconcerting "Fight Club" (The Fight Club) and some other medium or low category as "Panic Room" and "Zodiac."
derived Imagination Catholic repression paradoxically knows no bounds and has been the source of infinite benefit to the arts: each of the disciplines found in divine matters recurrence and absolute perfection. Kevin Spacey is a perceiving subject in medieval lyrics refuge from human decomposition and from their perspective is the beacon that lights the way forward. He thinks that society is a gangrenous tissue bank whose absolute irresponsibility us to perdition, to Sodom and Gomorrah in biblical terms.
The approach is robust and fairly consistent because the murderer commits his atrocities towards the common good: to attack sin incarnate purify the human race and the annihilation pattern could not be more symbolic: seven murders, one for each deadly sin. In religion classes one can do the math and imagine the sadistic deaths of each of the damned. The director does not skimp on the violence and what you can see on screen is sometimes quite crude, although it could be much more.
Two officers are assigned to the improbable case. One is young, temperamental and angry, the other about to retire, it is rather focused, patient and usually make themselves detective investigation, two ends pursuing the same end. The methodology and the reactions to the attacks of the hostile environment is totally different and this is a substantive part of the script, make the viewer sympathetic to a greater or lesser extent with one or another character. Mills and Somerset, faces of the same coin; tools that the State used to prevent him choking his own pus.
The setting is magnificent and probably one of the highlights, this assertion is risky because, in general, all components of the film are remarkably unified and none stands out clearly. I think the atmosphere is the essence of the film: cold, rainy, dark and depressing. The photograph reflects some sepia tones and nicely complements the main plot.
Human behavior is a universe and all possibilities fit into it. The environment and genes may become, inevitably, to an ordinary character in the most terrible scourges. The film allows the reflection on evil: is inherent in human beings?
Is there anything more cruel, repulsive yet fascinating as the mind of a serial murderer? We have all felt attracted to know what goes through the head of a murderer who is methodical, cold and also has a standard and well-defined objectives. In general, we want to know what motivates them, if you have trauma and deep "we bask in crapulencia "like a celebrity (see, for example," Natural Born Killers "," Murderers by nature, "Stone).
A more interesting film that addresses these issues is precisely twisted cited at the top. The director also has the disconcerting "Fight Club" (The Fight Club) and some other medium or low category as "Panic Room" and "Zodiac."
derived Imagination Catholic repression paradoxically knows no bounds and has been the source of infinite benefit to the arts: each of the disciplines found in divine matters recurrence and absolute perfection. Kevin Spacey is a perceiving subject in medieval lyrics refuge from human decomposition and from their perspective is the beacon that lights the way forward. He thinks that society is a gangrenous tissue bank whose absolute irresponsibility us to perdition, to Sodom and Gomorrah in biblical terms.
The approach is robust and fairly consistent because the murderer commits his atrocities towards the common good: to attack sin incarnate purify the human race and the annihilation pattern could not be more symbolic: seven murders, one for each deadly sin. In religion classes one can do the math and imagine the sadistic deaths of each of the damned. The director does not skimp on the violence and what you can see on screen is sometimes quite crude, although it could be much more.
Two officers are assigned to the improbable case. One is young, temperamental and angry, the other about to retire, it is rather focused, patient and usually make themselves detective investigation, two ends pursuing the same end. The methodology and the reactions to the attacks of the hostile environment is totally different and this is a substantive part of the script, make the viewer sympathetic to a greater or lesser extent with one or another character. Mills and Somerset, faces of the same coin; tools that the State used to prevent him choking his own pus.
The setting is magnificent and probably one of the highlights, this assertion is risky because, in general, all components of the film are remarkably unified and none stands out clearly. I think the atmosphere is the essence of the film: cold, rainy, dark and depressing. The photograph reflects some sepia tones and nicely complements the main plot.
Human behavior is a universe and all possibilities fit into it. The environment and genes may become, inevitably, to an ordinary character in the most terrible scourges. The film allows the reflection on evil: is inherent in human beings?
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