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1996 Reservoir Dogs. (Reservoir Dogs). 1992.

Quentin Tarantino

Representative

tape marked the commercial debut of a director (good or bad) formed in the most absolute of empiricism. Quentin Tarantino is one of those rare filmmakers who, despite having a rather short films, has quickly become a cult following and has garnered a stubborn and fierce horde of followers.

The structure used by the American director is easily identifiable. Much of his dialogue is colloquial and revolve around simple everyday issues. The second component is used to offenders fun, friendly and with certain aspects of humanity. The result is a new gangster film where are they who take the spotlight and the viewer is satisfied with that.

On the other hand, violence is about free of charge and is inherent in the films of Tarantino. Probably it should be the revival, or perhaps the mass, crude movies with heavy doses of rudeness. Usually send their characters to extreme situations where the outcome is always fatal for any of them, but so delicate approach is crude and daily events, like the most natural question in question. Distinctive example of this is torture, what should be the most remembered of the tape.

still some years to mass media were a bit more reserved, the merit of Tarantino is to eliminate self-censorship and to express things just as she pleased.

The way to tell the story lacks linearity. There are gaps in the temporal structure of the narrative, making the remembrance of one of the central characters of the action and represents a convincing explanation of any reference in the script. Specifically in "Pulp Fiction" exploded alternative narrative even more powerful and alternate realities mixture is as if parallel universes were seen at the same time and needless to say that the results are very interesting.

On the other hand, in "Reservoir Dogs", the observer follows the tip to a jewelry store heist. The most representative is that criminals do not know each other and to avoid conflict with the law kept anonymous. Among them are called "Mr. White, Mr. Blue, Mr. Pink, Mr. Orange, Mr. Blonde, Mr. Brown." The coup is wrong, the police abruptly breaks and triggers a disaster. Those dialogues are simple and empty while the focus on the progress of the script: it is common to find only two partners, the events unfolding in small places and the action is dosed to a trickle but very intense.