Roman Polanski
Trelkovsky must be one of the most quiet, peaceful and liabilities which may have been seen. The citizen Polish origin, played brilliantly by Polanski himself, should enjoy these stoic features because, as the plot progresses, it is growing in an extremely strong mutation. The cause is the macabre and disturbing influence of neighboring unbalanced.
The script is gradually and imperceptibly rises in intensity until it is consumed in a totally unexpected situation. There are few surprises in the first two thirds of the film, but represent the pinnacle of psychological thriller. The plot is dull and dreary, too intimate. Polanski managed to combine all their arguments in a subtle and isolate all to a point of no return, until a cyclical final anthology is extremely paranoid, desperate, illogical and captivating ... it's like a blow to the head hurts so unreal.
The protagonist seeks to rent an apartment in a building inhabited by abnormal, from the moment of his arrival is hostility, ridicule and sarcasm. Unfortunately, he learns that the woman who occupied the building now inhabited attempted suicide, throwing it out the window, and that it now is in the hospital. Decides to go see it and then go to your funeral. It is at this point that the display conveys incredibly disturbing images and dialogue: the Christ crowning the altar appears distorted, frightening and repulsive, the left image is dressed in a dialogue that sounds equally scandalous poetry evil:
"The icy tomb. You will return to dust you came and just be your bones. The worms eat your eyes, your lips, your mouth. Shall go by your ears, your nose. Your body will rot down to the smallest rise and give off an unbearable stench. Yes, Christ will ascend to heaven and meet with all the angels, but not with that creep like you, full of the lowest vices, longing only carnal satisfaction How dare importune and trade taunts in my face? What insolence, what are you doing you here in my house? You belong to the cemetery, you suck. You stink like the stink of corpses that remain along the road. In truth I tell you will never enter my kingdom. " What gives a clue to the outcome.
Most people around intends Crazy: shore to the new tenant to change, in Mademoiselle shul through the repetition of their acts more personal. The insistence and pressure, or maybe just their own susceptibility, which lead to the loss of personality and a deep paranoia. Tenant asserts the "What time an individual ceases to think of it himself?" Before losing sense and anticipation as to the facts. Figures
dark, macabre happy, they seem to observe at all times from the bathroom. His whole world is expectant about what does or does not do, inevitably beset; the pretexts and provocations abound. Polanski has to do a parade of utterly absurd and irrational. Everyone has the slogan satiate his new neighbor, but never revealed the reason for this behavior. Trelkovsky is extremely friendly and helpful but never matched, is desperate to meet someone with such extreme passivity and patience.
the end their mental health is deplorable, has hallucinations, ends up distrusting their friends Nearest place in terror and irrational to almost any situation. As the madness induced travel could sum up the central argument. In this migration, the tenant is not return.
years ago, Polanski had made and "Repulsion" and "Rose Mary's baby." The common factor is that the plot revolves around an apartment and his eccentric neighbors and the results are widely recognized. In the case of "Rose Mary's Baby", one can not figure out until the end if the main character is crazy or indeed others have satanic tendencies. "Repulsion" I have not seen, but the formula applies to "Tenant" where the biggest impressions and the final conclusion is revealed until the end.
Trelkovsky must be one of the most quiet, peaceful and liabilities which may have been seen. The citizen Polish origin, played brilliantly by Polanski himself, should enjoy these stoic features because, as the plot progresses, it is growing in an extremely strong mutation. The cause is the macabre and disturbing influence of neighboring unbalanced.
The script is gradually and imperceptibly rises in intensity until it is consumed in a totally unexpected situation. There are few surprises in the first two thirds of the film, but represent the pinnacle of psychological thriller. The plot is dull and dreary, too intimate. Polanski managed to combine all their arguments in a subtle and isolate all to a point of no return, until a cyclical final anthology is extremely paranoid, desperate, illogical and captivating ... it's like a blow to the head hurts so unreal.
The protagonist seeks to rent an apartment in a building inhabited by abnormal, from the moment of his arrival is hostility, ridicule and sarcasm. Unfortunately, he learns that the woman who occupied the building now inhabited attempted suicide, throwing it out the window, and that it now is in the hospital. Decides to go see it and then go to your funeral. It is at this point that the display conveys incredibly disturbing images and dialogue: the Christ crowning the altar appears distorted, frightening and repulsive, the left image is dressed in a dialogue that sounds equally scandalous poetry evil:
"The icy tomb. You will return to dust you came and just be your bones. The worms eat your eyes, your lips, your mouth. Shall go by your ears, your nose. Your body will rot down to the smallest rise and give off an unbearable stench. Yes, Christ will ascend to heaven and meet with all the angels, but not with that creep like you, full of the lowest vices, longing only carnal satisfaction How dare importune and trade taunts in my face? What insolence, what are you doing you here in my house? You belong to the cemetery, you suck. You stink like the stink of corpses that remain along the road. In truth I tell you will never enter my kingdom. " What gives a clue to the outcome.
Most people around intends Crazy: shore to the new tenant to change, in Mademoiselle shul through the repetition of their acts more personal. The insistence and pressure, or maybe just their own susceptibility, which lead to the loss of personality and a deep paranoia. Tenant asserts the "What time an individual ceases to think of it himself?" Before losing sense and anticipation as to the facts. Figures
dark, macabre happy, they seem to observe at all times from the bathroom. His whole world is expectant about what does or does not do, inevitably beset; the pretexts and provocations abound. Polanski has to do a parade of utterly absurd and irrational. Everyone has the slogan satiate his new neighbor, but never revealed the reason for this behavior. Trelkovsky is extremely friendly and helpful but never matched, is desperate to meet someone with such extreme passivity and patience.
the end their mental health is deplorable, has hallucinations, ends up distrusting their friends Nearest place in terror and irrational to almost any situation. As the madness induced travel could sum up the central argument. In this migration, the tenant is not return.
years ago, Polanski had made and "Repulsion" and "Rose Mary's baby." The common factor is that the plot revolves around an apartment and his eccentric neighbors and the results are widely recognized. In the case of "Rose Mary's Baby", one can not figure out until the end if the main character is crazy or indeed others have satanic tendencies. "Repulsion" I have not seen, but the formula applies to "Tenant" where the biggest impressions and the final conclusion is revealed until the end.
0 comments:
Post a Comment