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Castle purity. (1972).

Arturo Ripstein

The biggest hotbed of ideas in the film unusual is the reality. Says an old adage "The truth is always stranger than fiction." The events that inspired the screenplay unlikely Arturo Ripstein and Jose Emilio Pacheco stir among journalists' sources of the time, the novel by Luis Spota "The cat laugh" and the play "The motives of the Wolf" by Sergio Magaña. Interestingly each work infinitely far from each other.

tells the newspaper El Universal in footnote 90 Anniversary : news of the tragedy : "That decade ended with the coverage of a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children. Were over 15 years of captivity, exploitation and humiliation, the father had built a small cottage industry in which their children elaborated insecticides and rat poison that he was selling. His family fed with a diet of oats and beans, which favored spirituality. Nobody visited and only left the house for the parent to teach them the perversions of this world. "

writes on the same case in his book Carlos Monsivais The Thousand and Wakes:" In July 1959 he discovered a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children, somewhat allegorical names: Untamed, free, sovereign, successful, Living Well and Free Thought. They carry more than 15 years locked up, beaten, buffeted by scolding and sermons. The eldest daughter, Indomitable, is 17 and the youngest, Free Thought, 42 days old. For 15 years, Pérez Hernández feed your family on a diet of oats and beans, while forcing the development of rat poison exhausting. Nobody visits and only leave the house so the father taught the perversions of this world. (From time to time to go ... Thanks to observe prostitutes and alcoholics.) Eventually they decide to rebel and ask for help. And in July 1959 police arrested Perez protest: 'My sons are just trying to take over the capital that have been formed with many sacrifices'. "


As a matter for another source of inspiration for Ripstein, I think the literary version is deficient for various and multiple reasons. Primarily reflects little direct technique usually build extremely long parallel stories trying to justify the psychological profile of its protagonists. Maybe it's a personal setting, but I hate the texts that are excessive in their explanations or assessments and the quoted text is saturated with feedback between dashes, parentheses, question marks or commas. Regrettable and paradoxically suffers from these specifications in developing substantive developments.

recreation of the story that scandalized Mexican society is only a pretext and the real objective is murky: there is a book about a little of everything but nothing concrete. Line plot could be about incest, patricide, and bestiality, the prospect of God and sin, social putrefaction, psychological distress, sexuality, jealousy, or the limits of a man obsessed with an idea, but the truth is that all are treated briefly and instead delves into the most crass clichés. Luis Spota

builds most of his novel about arguments ridiculous and effeminate. Claudia's past, his wife, covers much of the book and has the misfortune to pall quickly the reader for what is written on it as well irrelevant, is unspeakably corny. The story is sadly missed and, despite the immense potential that is, ends up falling into the typical arguments of a TV melodrama. The result is a document totally distorted from its original conception

The real core of the novel may be stated in the purpose of the antagonist: creating a race of supermen, as Nietzsche would say. Lazarus believes himself a unique individual, unique and chosen by fate, so has lived isolated from the mundane. The bricks will be constructed on the reformer project are the genes of his family and life mixing genesis find this new society. Incest is not mean or nasty, just the process by which this type of Adam procreate offspring needed and that, besides being desirable, it is perfectly natural.


The film version, or the credible representation of that unlikely event, is the polar opposite of the unfortunate version of this publication. The script was neatly written by Jose Emilio Pacheco and Ripstein and aims to show the character sick, deranged driver and the parent (which, unlike the previous case, appears as the main character), in general, is narrower than in the novel but much more direct and, I believe, with little trace of ambiguity.

obsessions Gabriel, former Lazarus, dictate the behavior of their children and wife, who are shipwrecked in the ocean that a volatile mood. Their deposits in the schedules, training and world views have shaped bodies without autonomy more like zombies than individuals.

For Gabriel the world is superficial and worthy of loathing, human beings sin and constantly evoke the woman creates the seed of this pest: - Can you imagine how many deaths would fit in this room? - Says without any prior dialogue that encourages a similar remark and soon narrows, beasts only seek pleasure and playing perpetuate its horror and squalor. Is a string that will only end with the end of time ... and with the People are the same, by the rats have known better ... that's why men do not want you to have any contact with the world.

Despite the particular vision that has printed on their children, and Future Utopia emerge in some primitive instincts and it was impossible to feed them with someone outside your blood, try to mitigate them among themselves. These jolts of naturalness, are sporadic because basically it's too late, Gabriel has been able to form a structure irresquebrajable around his family and no matter they have a chance to break free, will eventually be uncomfortable in the objective reality of the rest the world.

However, there are some events reflect the profound hypocrisy of Gabriel. So much of the film one gets captivated by the speeches and postures of this eccentric individual, but soon runs out of position violent actions to the concept that it had formed the observer. The change is so drastic that it is valid to wonder if the director made a mistake or where to volunteer, questioned the purpose. Probably this peculiarity is the only loose end and in that sense, it differs from the novel that presents a character with attitude unchanged.

With the economy in the dialogues, actions need to be excellent and they are. The picture gives it lacks the dynamism of language spoken and awakens in the viewer a lot of emotions, especially hopelessness and melancholy.

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Pi: Faith in chaos. 1998. (Pi: order from chaos).

Darren Aronofsky

I consider mathematics as an ideal world. A place that has no existence independent of our own. This is a complex site, inextricable, dark, but coherent, fascinating, and receptacle of pure reason.

deep or shallow Those have come to know that this discipline is something indescribable main feature only might call magical. All that order, accuracy and inerrancy make as close to perfection, ergo God.

This idea, that mathematics is the divine language, is old and its gradual evolution has reinforced this mystical sign. Mathematicians have found that the more distant roads lead to the same number, as if nature will point to it directly.

Pi equals the ratio of the circumference of the diameter of the circle. Their discovery is lost in the annals of time. It has been a usual object of study and the findings continue:

The units unrelated to this rigorous science have been involved in the eccentricities that may be collected from the immaterial world away. The film, like identity and human consciousness, has reflected the more sinister aspects but also the most notable of society. In this particular case, Aronofsky shows a subject self-absorbed, obsessed with finding Number, one that gives logic to the universe, one who does it predictable, a number that gives a pattern to their demonstrations and finally demonstrate the relation between causes and effects.

The protagonist embarks on an odyssey through the sacred readings of Judaism, the behavior stock markets, the greedy multinationals and the teachings and progress of his mentor ... all to justify their existence and unravel the mysteries that the operator has put in front. The novel mathematics is involved in these and many other adverse situations until fate gives her enlightenment.

Given the impossibility of naming this hypothetical and transcendental value, the film resorts to that well-known number to entitle his work. The reason is not due to chance, rather the need to set a specific idea in mind of the beholder: the existence of a number with infinite properties, all unconsciously, we relate it to pi, eo phi.

Pi: the order of chaos marked the debut of an ambitious young filmmaker. Overall we can say that debuted on the right foot and both the critics as the ordinary public strongly approved testing capacity and distance of the recurrent topics.

Since this his debut, resources, as well as support from industry were scarce until after consummate success. Aronofsky proved once again that the special effects, well-known actors, production houses and the large sums spent on advertising are unnecessary when you have an innovative idea and it has enough technical capacity to materialize without departing from the many tangents that may arise in implementation. Aronofsky

merely projecting the dilemmas and questions that haunt again and again our thoughts and our deepest mental subterfuge. He chose to do the most purist and most rational man has discovered: abstraction.

Exercise 1. Show that pi is irrational.
Exercise 2. Proving the identity of Euler.

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Ghost in the shell. 1995.

Mamuro Oshii

The animation tends to create intricate universes and usually notable for its innovative and strange ideas. However, the novice tends to prejudge and categorize the fiction genre par excellence. Western eyes are unaccustomed to the complexity of the characters, plots or concepts and are easily disturbed by violence and crudeness of the images.

When one thinks of Japan's manufacturing immediately comes to mind is the word quality and animation is no exception. Tends to project all the care and thoroughness of the people is capable of rising sun: the level of detail and refinement is reflected in the environment, scenarios, or in any secondary device is placed in the plane.

However, staying in that level would be absurd because it is the constant in any animated series East. What these paragraphs could be written to Akira, Cowboy Bebop, Ninja Scroll, Jin Roh, Battle Angel Alita ...

Discuss Ghost in the Shell is inevitable because it represents a major milestone in the history of animation. Data from the nineties and belongs to the current called cyberpunk that, although it has been exploited enough, is one of the most serious attempts of science fiction.

works influenced by ciperpunk exhibit a bleak future dominated by mega-corporations and tech to the extreme. Excesses of technology that allow you to perform genetic modifications, physiological and unify man and machine, so to speak.

However, the most interesting approaches are those that prioritize social change caused by technological advances and they do not per se. The cited work reflects the profound changes in everyday life of people in their professions and institutions, to further uplift making use of some archaisms contrast two realities that inevitably coexist.

In Ghost in the shell, we must note first the impeccable quality in the performance, then history and finally implementation. The main argument revolves around the search a hacker known as "Puppet Master", by two policemen, Batou and Kusanagui, sui generis since the current form. The Puppeteer roams the network by implanting false memories injuries and in subjects who in the end are nothing but a smokescreen.

ciperpunk ideas are coming from the atmosphere depressing as built, but from a purely literary point of view are amazing, hard to assimilate because of its originality and giddy futurism. To the profane eyes the imaginative inconceivable that some artists have developed skills that lacks not only the majority of people, but most of the writers. To feel alive we must never lose the wonder and the genre, in particular, challenges the belief that everything has already been written (or planned). In the genus

no other figure that William Gibson, father, founder, pioneer and visionary. For simplistic is the first to coin the term "cyberspace" referring to the digital reality that exists but is impalpable. For others it is a geek with too revolutionized thinking for most mortals. Regardless of the scale from which you want to be seen, one can discover that there is more, is the spearhead and all roads lead from it.

One of the most useful gadgets is the ability to digitally store emotions and, similarly, online transmit sensory perceptions (thus a connected person to another, feel, see, hear or taste the same as the primary receiver). The film adaptation of manga created by Masamune Shirou, is littered with tools similar to this: the Puppeteer infiltrates, via the network, in people and creating a fictitious past. In one chapter of Neuromancer (1984) reads: "The abrupt jolt into other flesh ... he found himself thinking in the mind to share those feelings ..." Molly carrying a passenger, he said, and Larry does not like ... Someone using your eyes. "

This is a strange universe. There is also talk of artificial intelligences living on the net and guys who do not die at all because his consciousness is stored in a kind of hard. These entities (not know how else to call them) wander in a world heritage and manipulate the subject of flesh and bone as if it were grave units.

So the Wachowski brothers are not enlightened beings that everyone thinks. Are the mass of an incredibly powerful concept, but many years ago.

Reality is nothing more than electrical messages that crowd the brain and, therefore, could be modified or imitated. Let's wait.