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1964. (The Satyricon).

Federico Fellini

"The Satyricon" was written by Petronius in the first century AD and represents, in contemporary terms, a novel every sense of the word. The text in question lived an odyssey to reach this day, including counterfeiting and the discovery of new extracts to a trickle. Asclepius Eumulpo, Encolpius are the main characters and plot of the play unfolds through their emotional entanglements with the youth Giton.

The book is divided into three parts. The first and last are quite mutilated and to some extent are variations to which the plot is hard to keep time. The central point is the feast of Trimalchio, a recently freed where one can access the daily life of Roman society, and therein lies the richness of the text. We hear talks about the power of oratory, education, profitable trades on the deplorable purchasing power, social progress, and so on.

Fellini's version is far from the original text and the first thing that stands out is that it is a morass of ideas set to hammering. Until the first half the plot tries to stand, but then completely lost the compass. As if this were not enough, the acting is terrible, stilted, stiff and very ample.

The misfortune is that he never had in mind exactly what to display. As mentioned a few paragraphs ago, much of the text is about the life of the ordinary citizen and why it's so charming. Fellini For its part, is lost in sentimentality, brothel is, persecution, a kind of gladiatorial combat, catacombs ... too and you just fed up.

The early scenes are downright attractive, dazzling photography a bit but after 10 minutes the film has nothing that will invariably supported the spiral of boredom. Although I must confess that the film also has some successes. The main color is a little seen and costumes for the more interesting. Obviously this is a big production, with virtually unlimited resources and tools, the problem is the use that was given to all those ornaments, which ultimately accounts are just that, secondary.

Historical documents are merely traces of past life. They are only approximate evaluations of an era that we look to the most absolute of subjectivism. On classics like "The Satyricon", we just get closer to that separate reality, but we do it with a modern perspective and cloudy. I think that this should be the real aim of the film, expanding the collection of obtuse and self-conscious minds (existing) and taken to a world everyday but also diametrically opposed to contemporary.

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1969 Dancer in the Dark. 2000. (Dancing in the Dark) Baby of Mâcon

Lars Von Trier

Despite the enormous variety in terms of nationalities, themes and processes, the musical film is a time full of atavistic, where display only the positive aspects and aspirations of most people. Saccharine happy endings and developments have been constant since its inception in the thirties to the most recent attempts. It is no coincidence that so many people hate him.

One can see a musical and seems to have seen them all. However, in 2000, appeared "Dancer in the dark "(or" Dancing in the Dark ") and broke with any preconceived scheme of gender. This is an incredibly depressing and heartbreaking dramatic contrast to the optimism shown in the seventy years prior.

The movie has some features that immediately collide with the principles of the director, whose dogma s have required eliminating secondary actions, including, paradoxically, the music. But this time, makes the appropriate remedy to elevate the absurd and infinitely separate the poles of hope and the reality of every day. Viewed superficially, the choreography, songs, used representations and desires are ridiculous but at greater depth, are poetry in motion, poetry perhaps cursed. It is, in short, a story that uses the intermediate oil and musical paraphernalia to disguise childish barbarism that pervades any loophole.

The director is sparing in the use of resources (had to be Scandinavian). The picture is rough and blurred, the assembly work or post-production are scarce. But this minimalism, unprofessional say the bold, just in order to saturate the atmosphere of blatant realism, realism that allows us to observe the actions with astonishing intimacy, as if they were buffoons front of us.

Some might say that Lars Von Trier exaggerates the goodness of the female character, played by the alternative music diva Björk, which is nothing more than a Caucasian version of "We the poor", where the fate exorbitantly rages against dispossessed, or tries to blackmail the viewer with recourse to vulgarity and probably all that and more is true. The argument would be no different to many fiascos television or film, but the prodigious performance of the players makes it easy to criticize aspects pass background, to a place unseen, and you just stared raptly bereavement praising the director for making the film that way.

Basically, the entire film is an irony. We talked about realism when Selma, the protagonist, has profound hallucinations while singing and dancing in a parallel universe, or that the plot is a bit inconsistent, but is solid on the masterful direction. But beyond these details, "Dancing in the Dark" is a parody of the genre, represents a sublimation of something that until then was only a mediocre product and whose artistic quality was more than questionable. Lars Von Trier musical film projecting reconstructed to places where we did not know he could be.

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Butler condolence and memories

Well, then we have the important disappointment, as expressed by the Sanchez Araujo and Santi Ortega, those big radio broadcasters who know putting their professional approach to love their colors. A disappointment, as conveyed in a tone denoting gray and tearful clearly that nobody can deceive. It is, once again, another year more of these heart Sevilla. But as there is to temper the mood, there must be realistic putting weeds that can challenge the coach. Now, let's talk about the Champions League, which is the objective remaining to continue .... well, well, how things are going great, they keep it up, but at least the main thing for diabetics is that another year has passed more without gaining anything for them, which is what I wish most fervently. That if we are still light years away, but the project from its Chairman, for this second season in the main, failed. Since the magician Helenio Herrera said: Football is football.

And as for you, my friend Carlos, look ... I'm not sorry for anything because it's not for us diabetics, do not feel it either by your axiom, who wanted an unstoppable force over a title for your windows . For if there existed such as the main reasons dedications to two deaths, as were your father and a young player Sevilla, Betis me as you might also want the same thing, so many diabetics who have suffered throughout our history, and during those years of misery in the Spain of sepia, when Betis or distrusted him clothes or the house of Pepe balls, the Century Store Sevillano ... For my Roberto Martinez, who died defending the color green and white in his modest Regional Championship fijate ,.... where the balance may appear perhaps as many projects, investment and promotion, fijate ... And now comes to me memory the image of that boy, with tears in his eyes after the European disappointment in Heliopolis propyne us that the Romanian team. Maybe that kid would have been embarrassed time and time again in school, and for years, and most circumstances and titles rivalries, and now, at least, and for other different circumstances, outside the Club of their love, perhaps again and again smiled. But do not worry, I recognize that as an athlete I would most like to me to see my Betis Semifinal and be fighting a third in the table, which is not bad right?


"Del Nido pure. The occasion no wonder. On the eve of a semifinal of the Copa del Rey, the chief executive of Nervión has been dispatched to like about the game at San Mames," All sensations are positive. If the Seville is at your level, there is no doubt that we will be in the final. Respecting Llorente, to Caparros, the Basques and representing Athletic ... we will eat the lion. From the mane to tail . "Another President of the pearls was led by Kanoute: "Respect for the Athletic and his staff. But there is a Basque to sleep knowing that Sevilla's Kanoute . So I do not care Llorente." Obviously, explained what motivated his players are "going to be a tough game, but Sevilla are used to playing semifinals, finals and win. The template from Saturday knows what to do. They have the same face the president. The motivation is that it convey the template. We are deceived in. We look forward to the match begins to account for the Athletic . "Finally, he spoke of the referee, Mejuto Gonzalez: "Sevilla think all referees in First are good, although it is true that there are any more qualified than another, not because I say so, but because he says the technical committee of referees. Mejuto is an arbiter of total and absolute security, international, who has refereed the final of Champions League representative in the Euro ... is qualified by the Referee Committee as the best national soccer referee, because it meets all the requirements to whistle the meeting " . Europa Press, 04/03/2009