say I could not agree more in each and every one of your comments.
Although perhaps the most direct consequence of this second post is nothing but online viewing of this boxwood bonsai, where and in my opinion, the artist has a charm plasmaso the essence of a tree growing naturally in nature, and that by contrast, applying a series of "fixes" as could be, down the second branch of the left and the first right with the resulting distribution of secondary branches or clouds of green boxes and some cutting here and there another, the result would be the typical picture of a tree modeling in classical style. Namely: that in which the pursuit of asymmetric triangularity premium over the rest of things.
This box then goes a long game, because on the one hand we have a natural tree in all its aspects and arrangements applied commented, a classic tree. Either of the two forms would be perfectly feasible but for my part I would as it is precisely for this reason, to give the feeling of being one of those trees that can often be seen in one of our many walks through the mountains.
know the name of the author but ... fiuuuuh, how good you are man!.
Nature in a pot ...
In another vein, one of the artists who perhaps come closest, and much to shape the bonsai the essence of nature is none other than the artist ("Indonesian?) Rovertos steven. I will not now discover who you are or what the outcome of their creations because I'm sure that the vast majority already know. Anyway, here are some photos of his works in which the wind blows, you feel the gravity ... and where in defenitiva, natural prevails.
While the latter, we might consider that the juniper in the picture is more well modeled in the classical style as always but ... to see who is lame ... to say that the sea is not good. A photo else where you can also see the artist in action.
And for the next post, a bocetillo of mine already touched.
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