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STADIUM. 1 / Beti Basconia

Today, July 16, 2008, marks 72 years in the Real Betis Balompié lies at the heart of Heliopolis. It was two days before the outbreak of the Civil War, when the Directive Betis signed the agreement for which was Heliopolis Stadium rent of Real Betis Balompié, for a period of 10 years. We started this series of monographs on the Stadium of Heliopolis.

was considered important to know much of the previous situation in which it was Real Betis Balompié, the context in which the Bank of Trecebarrista saw himself in need, due to economic demands, municipal and perhaps moving to another sports stadium after a residential period of eighteen years at the Field Worker Board. For its part, the Consistory of Seville, directed at that time by D. Horacio Hermoso Araújo, was facing liquidation of the debts created by the Latin American Exhibition of 1929, this means that buildings were intended to delegate to the event, as would the Sports Stadium.

During and after the UEFA Cup in Spain, to help alleviate the difficult economic situation of the Club (we have a deficit of £ 200,950 at the time, according to the Secretary of the Club, Francisco Fernandez, in an interview with the great journalist Antonio Cantos. Correo de Andalucía, 14/05/1936) - would be considered prerequisite - as well as the transfer of key players - go toward a new sports area, more modern and more room, which perhaps could do other sports, so as to "popularize soccer and all sports, reaching to the mass "(El Correo de Andalucía, May 13, 1936)

During the Assembly on 15 May, apart from various direct measures taken to alleviate the economic crisis, D. Valentino Perez, President at the meeting, quoted at the end of the project to achieve the transfer of the Exhibition Stadium and reform the current field (obviously, the latter would not perform as desired by the governing diabetics because the sudden outpouring of July 18)

May 24, 1936 Betis-Real Without the title because of the republican state would play his last match in the Field of the Board, faced Atletico Osasuna Cup game in Spain, which ended scoreless. It submitted the following Alignment: Urquiaga; Capesto, Aedo, Peral, Gómez, Larrinoa, Caballero, Unamuno, Paquirri, Rangel and Pepe Valera. One day after noted in the preceding paragraph, it is assumed the Urquiaga signing for FC Barcelona, \u200b\u200bwhich is expected in Barcelona for the week. That same day, is celebrated Tertulia is held at the Economic Society Andalusia, where it begins to ensure that the progress of the Bank to Heliopolis is almost a given.

On 6 June, the newspaper ABC published the schedule for the 1936-37 season. The first game of the season, scheduled for November 15, 1936, to face Betis Zaragoza CD. A league that had to wait to begin 12/03/1939 by civil strife. ABC's edition of Seville, in June 29, 1936, states that the negotiations between the Excellent Aytmo and Betis Balompié, about moving to the Stadium were well advanced, and that was being imposed at a rapid pace.

On July 1, finally, everything seems to be tied between Betis and City Council, in fact, as ABC tells us in the edition of that day: "Yesterday, the Directive Bética led an official visit to the Stadium in order to trace the works that have to do then, to put the beautiful countryside in a position to host matches. Tomorrow will probably be signed the contract which is attributable to the full enjoyment of the Betis stadium for 12 years. At the same time, the Field Board will be transferred to the Federation Cultural Deportiva Obrera, but Betis reserving the right to return to the Board if he finishes his performance in the same field, upon completion of the agreements to be signed. In terms of days will begin the preparation for the plot of the game, after thorough disinfection "(that gave an idea of \u200b\u200bthe dilapidated state of the Stadium was abandoned after the friendly match held in his time ago)

On July 2, 1936, a box on the ABC Journal, announces: Betis Balompié Notice. "Courtesy of the Exhibition Stadium to the Company, is made known to the public that as of this date and until 15 the next, allowed registration of members supernumerary seats right to hold a forum in general the price of 3 pesetas monthly . Likewise, membership registrations will be accepted for the whole year at a price of 36 pesetas and entitled to the cities in general. "

The next news we arrive on July 15, 1936, on a small note in the newspaper ABC, which specifies that the transfer agreement Exhibition Stadium would be held the next day, the 1 Later, at City Hall.

The July 17, 1936, ABC on page 29, states in his article: "The transfer of Real Betis Balompié Stadium The Mayor's office yesterday was entitled cession within 10 years Betis football club, the great stadium located in La Palmera.

Representing Settlement Commission of the competition, signed the contract the Mayor, Mr. Handsome Araújo, in his capacity of President of the Settlement Commission, so in his portrayal of Vice-President D. Betis Manuel Alonso Cueli, acting as Chairman. Were present Mr. Gallego Burin City Clerk, Councilmembers Garcia Lániz and Majid (or Magadan), Mr. Gonzalez Alorda Settlement Commission for the Exhibition, the directors of the Betis, Mr Fdez of Pando, Moreno Sevillano, Barroso and Wesolonski, Mr. Ibanez Andalusian Federation of Athletics, and Mr Lopez and the Tertulia Bética Cazorla. "

This completes an important episode in the history of Real Betis Balompié, and two days after another in such major start, life Club radically change his future, except for its location: 72 years, a lifetime in a beautiful place called Heliopolis.

Betisweb.com Betica Edited by the July 18, 2008, see Ephemerides

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Castle purity. (1972).

Arturo Ripstein

The biggest hotbed of ideas in the film unusual is the reality. Says an old adage "The truth is always stranger than fiction." The events that inspired the screenplay unlikely Arturo Ripstein and Jose Emilio Pacheco stir among journalists' sources of the time, the novel by Luis Spota "The cat laugh" and the play "The motives of the Wolf" by Sergio Magaña. Interestingly each work infinitely far from each other.

tells the newspaper El Universal in footnote 90 Anniversary : news of the tragedy : "That decade ended with the coverage of a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children. Were over 15 years of captivity, exploitation and humiliation, the father had built a small cottage industry in which their children elaborated insecticides and rat poison that he was selling. His family fed with a diet of oats and beans, which favored spirituality. Nobody visited and only left the house for the parent to teach them the perversions of this world. "

writes on the same case in his book Carlos Monsivais The Thousand and Wakes:" In July 1959 he discovered a closure for the family. Rafael Pérez Hernández was arrested for kidnapping his wife and six children, somewhat allegorical names: Untamed, free, sovereign, successful, Living Well and Free Thought. They carry more than 15 years locked up, beaten, buffeted by scolding and sermons. The eldest daughter, Indomitable, is 17 and the youngest, Free Thought, 42 days old. For 15 years, Pérez Hernández feed your family on a diet of oats and beans, while forcing the development of rat poison exhausting. Nobody visits and only leave the house so the father taught the perversions of this world. (From time to time to go ... Thanks to observe prostitutes and alcoholics.) Eventually they decide to rebel and ask for help. And in July 1959 police arrested Perez protest: 'My sons are just trying to take over the capital that have been formed with many sacrifices'. "


As a matter for another source of inspiration for Ripstein, I think the literary version is deficient for various and multiple reasons. Primarily reflects little direct technique usually build extremely long parallel stories trying to justify the psychological profile of its protagonists. Maybe it's a personal setting, but I hate the texts that are excessive in their explanations or assessments and the quoted text is saturated with feedback between dashes, parentheses, question marks or commas. Regrettable and paradoxically suffers from these specifications in developing substantive developments.

recreation of the story that scandalized Mexican society is only a pretext and the real objective is murky: there is a book about a little of everything but nothing concrete. Line plot could be about incest, patricide, and bestiality, the prospect of God and sin, social putrefaction, psychological distress, sexuality, jealousy, or the limits of a man obsessed with an idea, but the truth is that all are treated briefly and instead delves into the most crass clichés. Luis Spota

builds most of his novel about arguments ridiculous and effeminate. Claudia's past, his wife, covers much of the book and has the misfortune to pall quickly the reader for what is written on it as well irrelevant, is unspeakably corny. The story is sadly missed and, despite the immense potential that is, ends up falling into the typical arguments of a TV melodrama. The result is a document totally distorted from its original conception

The real core of the novel may be stated in the purpose of the antagonist: creating a race of supermen, as Nietzsche would say. Lazarus believes himself a unique individual, unique and chosen by fate, so has lived isolated from the mundane. The bricks will be constructed on the reformer project are the genes of his family and life mixing genesis find this new society. Incest is not mean or nasty, just the process by which this type of Adam procreate offspring needed and that, besides being desirable, it is perfectly natural.


The film version, or the credible representation of that unlikely event, is the polar opposite of the unfortunate version of this publication. The script was neatly written by Jose Emilio Pacheco and Ripstein and aims to show the character sick, deranged driver and the parent (which, unlike the previous case, appears as the main character), in general, is narrower than in the novel but much more direct and, I believe, with little trace of ambiguity.

obsessions Gabriel, former Lazarus, dictate the behavior of their children and wife, who are shipwrecked in the ocean that a volatile mood. Their deposits in the schedules, training and world views have shaped bodies without autonomy more like zombies than individuals.

For Gabriel the world is superficial and worthy of loathing, human beings sin and constantly evoke the woman creates the seed of this pest: - Can you imagine how many deaths would fit in this room? - Says without any prior dialogue that encourages a similar remark and soon narrows, beasts only seek pleasure and playing perpetuate its horror and squalor. Is a string that will only end with the end of time ... and with the People are the same, by the rats have known better ... that's why men do not want you to have any contact with the world.

Despite the particular vision that has printed on their children, and Future Utopia emerge in some primitive instincts and it was impossible to feed them with someone outside your blood, try to mitigate them among themselves. These jolts of naturalness, are sporadic because basically it's too late, Gabriel has been able to form a structure irresquebrajable around his family and no matter they have a chance to break free, will eventually be uncomfortable in the objective reality of the rest the world.

However, there are some events reflect the profound hypocrisy of Gabriel. So much of the film one gets captivated by the speeches and postures of this eccentric individual, but soon runs out of position violent actions to the concept that it had formed the observer. The change is so drastic that it is valid to wonder if the director made a mistake or where to volunteer, questioned the purpose. Probably this peculiarity is the only loose end and in that sense, it differs from the novel that presents a character with attitude unchanged.

With the economy in the dialogues, actions need to be excellent and they are. The picture gives it lacks the dynamism of language spoken and awakens in the viewer a lot of emotions, especially hopelessness and melancholy.